rock rabbit bald living things

yellow leaves
- cormac mccarthy, the road

1. in which the existence of god is proved
'LOOK! HE'S BREATHING,' said hanna.

i looked. he didn't look like he was breathing to me and i said so. we were in a small concavity in the side of a rocky promontory. the rocks atop the promontory were granitic and rainstriped. one of them had a hole in it that made it look from afar like a giant nostril: 'hey! that rock looks like a giant nostril!'

i looked again. no, the rabbit was definitely not breathing. we were in the small concavity because it offered shade and i burn easily. we'd been walking to the end of the promontory but now we were sharing a small concavity with a dead rabbit. the rabbit was a perfect grey rabbit. i don't need to describe him because he looks exactly like the rabbit that appeared in your mind when i said 'grey rabbit' a few centimeters ago.

'no. he's definitely breathing,' said hanna and i looked again and saw the faintest movement in his perfect belly. he was more perfect now because a perfect rabbit is alive and now he was alive. he reminded me of god because there's a mediaeval proof of god's existence that goes like this:

1. god is perfect
2. that which doesn't exist is not perfect
3. therefore god can't not-exist, because that would make Him not perfect
4. therefore god exists

now the rabbit was perfect like a living god. a perfect rabbit hops though and this rabbit was perfectly still except for the faintest upanddown of his perfect grey belly. he was ceasing to be and i was keeping him company. we were quiet. the rabbit lay still as still on the still sand. little bugs were starting to walk all over him but he wasn't dead. he was close to death though and lay completely still while we sat there. sometimes he would blink but that was it. i wondered if he had fallen from the high rock above. maybe his back was broken.

we sat with the rabbit. the rabbit breathed in and out and was otherwise still.

i tried to remember some blessings for the dying i'd been taught once. i could only remember about half of one of them so i just tried to think nice thoughts for the rabbit. i figured if i was dying i wouldn't mind someone sitting beside me and thinking nice thoughts and maybe deterring things from coming to nibble at me before i was properly dead. maybe the rabbit didn't feel that way. i won't ever know.

maybe the rabbit was thirsty? we looked around for something to give it water with. in the end i carved a tiny spoon from cuttlefish bone and offered the rabbit some water. it ran over the rabbit's unmoving mouth. i guess the rabbit either wasn't thirsty or was too far gone to drink. i won't ever know that, either.


2. in which the author has only known a couple of people well who've died of natural causes
I'VE ONLY KNOWN a couple of people well who've died of natural causes. the rest have killed themselves. is that natural? i don't know. the two i've known well were my good friend baterz and my grandmother bronte. they both died under assumed names. baterz was born barnaby ward but we called him baterz. baterz was short for baterzby baelzebub: there's a nickname with panache, no? bronte was born margaret joan bronte. she didn't like either of her first two names so she went by the third.

they were both bald when they died. baterz had a brain tumour. when you have a brain tumour your head gets opened up sometimes so doctors can look inside it and sometimes you get chemicals and rays applied to the tumour and all three of these things can make you bald. bronte was bald because her teeth were bad when she was little. she got her head x-rayed a lot by dentists and all her hair fell out.

i sat with bronte while she died. i remembered the blessing that time and sang it quietly in the hospital and stroked her bald head while she stopped breathing.


3. in which the author breaks the narrative flow, such as it is, to editorialise
THESE THINGS HAPPENED a while ago. i'm writing about them now because when i went to sit in the backyard beneath the darkening greens of the fruit trees and think about washing my clothes i could hear one of my housemates whipping her boyfriend with what sounded like a leather strap. i stood just outside the back door for a few seconds: whack.. whack.. whack.. and then i turned around and came in here and started typing.


4. in which we stopped waiting for the rabbit to die
WE'D BEEN SITTING there for a while. there's only so much you can do with a rabbit teetering on the edge of death and we'd done most of it so we got up and continued our walk. on our way back we visited the rabbit again. the rabbit looked just the same except his body was oriented north-south instead of east-west. i looked at the sand behind his back legs. it was scraped smooth of stuff but i couldn't work out if he'd moved himself or been moved.

the rabbit breathed, and blinked every so often, and so did i.


5. in which a rock looks like a hippo
'HEY, THAT ROCK looks like a hippo!'


6. the last time i saw baterz
THE LAST TIME i saw baterz he was lying in an open coffin in the front room of his house. he was wearing the grotty antique military uniform he used to wear sometimes. it had epaullettes. he was bald and his body was cold. it's odd stroking the hand or cheek of someone who's been dead for a while because they look so much like they looked when they were a living thing but now they are not a living thing. the flesh is not animated.

life came from the sea and things like us carry around an analog of it inside our skin in the form of our warm and salty blood. matter in these parts came from the sun and things like us carry some heat around inside us while we are alive like a tiny analog of the sun.

dead flesh is not like this. it resists the touch differently and has no tiny sun inside it. it draws heat from the air like everything else and from you if you touch it and so it feels cold.


7. what hanna said when we started packing up the tent
'DID YOU SEE the crow? it had an egg in its beak and it was flying and a bunch of other birds were chasing it and it flew off to a spot and pecked the egg and drank it in gulps. its arse stuck out and moved up and down as it drank.'


8. eleven
WHEN I WENT to pack up the stove i found eleven tiny tiny snails had attached themselves to the metal overnight.


love to all
xxx

invisibility

1. invisible
i grew up in west hindmarsh. i've said this before. west hindmarsh is a semi-industrial suburb in adelaide. when i was little there was no library there. there was a bookmobile, though. it came around about once a fortnight. eventually we got a real library: the hindmarsh library. it got built in the row of buildings that held the roller-skating rink. years later the roller-skating rink would get turned into an asian-language cinema. howabout that.

i read a lot in those days. it was safer. when i was about six the big kid from the house behind ours told me, through the fence, that he'd shoot me with his bow and arrow if he ever saw me outside again, so i started coming straight home from school and going inside. we didn't have a tv so there wasn't much to do except read.

the hindmarsh library was great. after i'd read what i thought was interesting in the kids' section, i started wandering through the bit for grownups. i found a bunch of cool stuff there but there were two books that set me on fire and not just any fire but fire as pronounced by ian astbury: fi-yaaaaaaah! i kept borrowing them again and again.

the first was called how to build a flying saucer. this started off by showing you how to build the pyramids and raise the statues of easter island with neolithic technology. neat. chapter 4 was, as promised, how to build a flying saucer ('after so many amateurs have failed '). the other book i really liked was called levitation: what it is - how it works - how to do it. it went through a bunch of methods for levitating oneself. i only remember a couple. one involved kind of rocking in the full-lotus position and then launching yourself into the air for a fraction of a second. i agreed with the book's author that this was kind of lame.

another one involved learning to hold your breath for longer and longer times. somehow this made you lighter.. eventually.. i can't remember the details. according to the book, adepts could slow down their breathing and extend the pause between in-breath and out- to 45 minutes. i had a little go at this but didn't persist, didn't persist even though i had a genetic head-start: my dad and my grandfather could both hold their (my grandparent's house had two wings and from above looked like a giant v: like a wake of birds rippling through the sky's surface.. there was a swimming pool there too, reflecting the sky.. my dad and my grandfather would sit on its bottom connected to the rest of the atmosphere only by a tiny umbilicus of bubbles from their noses..) breath for about 5 minutes.

2. demons, shit, shinola
my grandmother on the other hand was a psychiatrist who liked old-school sci-fi. she had a lot of books on transactional analysis and neuro-linguistic programming, which i enjoyed, and a whole lot of asimov and heinlen and arthur c.clarke.

lewis: w-what about ray bradbury?
martin (dismissively): i'm familiar with his work!

what she liked most of all, though, was books written by people without bodies. you know, archangels or beings from other dimensions who'd speak through ordinary everyday folks, say through automatic writing or something like that. she was not alone in this: lots of folks enjoy this kind of thing. but as it was pointed out to me years later, just cos someone doesn't have a body doesn't mean they know shit from shinola. this is good to remember if you ever get possessed by a demon.

demons talk tough like wwf wrestlers do and they act like they know everything and sometimes we give their words a little too much weight cos they don't have bodies. it's a lil spooky, see. they speak without being visible all the time and the only people we know like that are consciences and people on the other end of the phone. but: still: they may very well not know shit from shinola. sure they may have travelled through all kinds of dimensions and whatnot but don't let them fool you into thinking they know shit from shinola. why does it matter? well, the differences between shit and shinola are important. one is a by-product of the body's industry and the other is for shining your shoes. if you shine your shoes with shit they will smell bad and people will look at you funny. and if you pour shinola into the toilet it'll stick to the bowl and your housemates will be dark at you. if you've let a demon talk its way into your body and it blinds you to this crucial distinction, like, for instance, so:

YOU and THE DEMON are walking through a busy city. there is a SHOE-SHINE BOY perched on the kerb like a dirty bird.


SHOE-SHINE BOY: shine your shoes?

YOU: uh..

THE DEMON: yeah get 'em shined. you'll never get anywhere in life with dirty shoes.

YOU: uh.. ok.. but what's that he's shining them with?

THE DEMON: shinola.

YOU: are you sure? it smells funny..

THE DEMON: i know everything, remember? and that is definitely shinola.

..you are very likely to regret it: shit all over your shoes and a very dirty toilet and dark-at-you housemates. not a recipe for fun times. so, y'know, be aware.

wait! i was meant to be talking about levitation!

anyway, the levitation book was by one steve richards. he had another one called invisibility: mastering the art of vanishing. o how i lusted after this book! one day i finally got to read it but it seemed kind of light-on after the levitation one which seemed waaay more authoritative. (i notice on amazon that steve richards has a new book. it's called everything you will ever need to know to start driving a big truck. or maybe that's a different steve richards. i hope not.)

the upshot was, unfortunately, that i never learned invisibility from a book. i had to make up a spell instead. it only occurred to me after my friend steve said something. not steve richards. another steve.


3. the other, cooler, steve
i have a friend steve. when i met him he was called cool steve. he used to ride a motor scooter around drunk: kapow! you get the picture. later he gave the scooter away, but he didn't want to decide who was going to get it. instead, he asked friends if they wanted a scooter until he had a list of 20 people. when he had a list of 20 people he assigned each one a number and then rolled a 20-sided die. as it happened, baterz got the scooter, and immediately sold it.

this lil anecdote shows one of the things that was distinctive about steve for a few years there: exercising great control over process so as not to control outcomes. he was like the john cage of social engineering.

i wrote a song back then about cool steve. it was called 'cool steve'. it went like this:

cool steve.. when will you ever learn?

it was sung to the music for 'blue moon'. you repeated it until steve got embarrassed. later steve changed his name to 'snaky dancer'. i wrote a song about this, too:

i had a friend.. who changed his name.. who changed his name to 'snaky dancer'..

in between these names, steve changed his name to skysten. one time me and skysten were talking about having to ride somewhere without a helmet, or maybe without lights. i was saying i'd found the ride stressful. i'd been worried about getting stopped by police for riding without a helmet. (this kind of thing happens in australia. the one time i went to jail was directly related to riding a bike without a helmet. that's another story, though. quit trying to distract me!)

'well, in these situations i always make sure i don my cloak of invisibility-to-police,' said steve.

i thought on this for a bit. such a cloak seemed like a very good idea. why didn't i have a cloak like this? i was jealous and eventually ended up making up a little spell. it went like this:

i am invisible to police (or uninteresting at the very least)

my reasoning was this: all of us get distracted a whole bunch of times during the day, police officers included. all i was trying to organise with my little spell was for one of these moments to line up with the moment when i passed in front of a police officer's field of vision. i didn't much mind how. you know, they could just vague out for a second and think about what they wanted for dinner or something. it didn't seem like much to arrange. there are more important things in the world than cyclists without helmets, and that was a consideration in my favour too.


4. how well did it work?
i'm glad you asked. reader: it worked remarkably well. almost ridiculously well. police cars would drive straight past me all the time when i was riding without a helmet on. i'd look at them and they'd just be sailing by, their minds on something more important. it happened over and over and over. i began, in fact, to worry about what would happen if i had some kind of accident and wanted police assistance. would they notice me then? bleeding and/or broken?

anyway: paranoia aside: one time i was riding down a narrow laneway and noticed a police car behind me. the lane was so narrow they couldn't pass me. i was the only vehicle in front of them. if i kept riding they'd be trapped behind me all the way to the end of the street. i should have been obvious to them, in other words.

'uh oh,' i thought, 'this isn't going well.'

i figured the polite thing to do was hop off my bike and wander over to the police car sheepishly but i decided: fuck it: i'm not gonna just concede defeat. i'll wait for them to stop me. and they didn't: i rode all the way to the end of the lane while they crawled along behind me. would have taken about a minute. we got to the end of the laneway and then i turned left and they turned right and drove off into the rest of the world without me, thinking about something else.

xxxx

rules for trees and grass, my people, the moon out of focus, the possibility of a vast network of tunnels beneath the earth.

hello
- lionel richie

why hello, lionel. how's the kids?

this is a funny little story. i'm not sure about it but i get the feeling it's time to let it go and find its fortune, out there in the kingdoms and prince-bishoprics and so on. it can cross streams and talk to magical beasts like for example unicorns and cicatrices and griffins and the enigmatic sphinx, the sphinx who knows all but speaketh in riddles &c &c. i'm not sure about it cos i sewed it up from the corpses of other things. dr frankenstein did this and look where it got him: running for his life across the icy tundras and floes of the arctic circle and if nothing else enters into the matter we should at least consider that the arctic circle isn't quite what it used to be back then.

nonetheless: i hafta let it go cos it's distracting me from the story i really want to write (which is about invisibility and has a spell in it and everything). hopefully it'll be ok out there in the world, the world all bright and radiant, radiant with the light from various motherfucking celestial bodies, bodies all burning far from the earth we wander and people will be nice to it. one thing in its favour is it's made of fragments, just like everything else in the world.

you: f-fragments?
me: yes! fragments!

(pause)

you: w-what about trees?
me: yeah! trees too! which reminds me:


1. rules for trees and grass
i've been looking at trees recently, at the way they extend through space and feed on what passes through that space. it's neat: they apply the same rules over and over, trees do: go this far (where 'this far' is a proportion of the distance between where you are now and your total height, like say 2/5ths of it or maybe 3/7ths) and then split into this many pieces (give or take 2) at around about this angle and then keep doing it again until you turn into leaves.

what ends up happening is that trees control a field, roughly barbell-shaped, around a central vertical axis. they leave a gap in the middle for the horizon to pass through.

grass, on the other hand, is all about occupying a plane. if grass has a rule it's 'go about this far and tie yourself in a little knot through the horizon. repeat until you run out of planar space.'

what ends up happening here is that grass has no trunk to cut: it's got no central point to attack: howabout that.

you: ok, but w-what about people?
me: wait, i thought we were talking about trees?
you: we were! but now i want to know about people!
me: well... howabout this:


2. my people

it is the right of every traveller to vent their frustration at every minor inconvenience by writing of it to their friends. expect long descriptions of everything.
- jonathan strange, in jonathan strange & mr norrell, susanna clarke.

i went to the writers' festival the other day. i got there just in time. i was going to hear a talk about the creative commons. it was in a theatre. i walked in and sat down.

something felt funny and then i realised what it was and it was this: i had, gentle reader, the distinct sensation that i'd suddenly come home, somehow, that i'd found my people. i was.. uncomfortable. i wasn't sure i wanted to be having that sensation at exactly that time, surrounded by exactly those people. everyone was, well, bookish.. a little uncool perhaps. and surely, surely waaay less cool than me. surely. i was a little disturbed so i took a water bottle out of my bag to have a drink and then noticed everyone around me already had their water bottles out. my people carry their own water, apparently. i drank anyway. i wasn't going to be put off. i sat there for a bit. the speakers weren't there yet so i took a book out of my bag so as to pass the time and then realised of course everyone around me already had their books out. damn. however, women were wearing shawls and sensible jeans. i wasn't wearing a shawl. that was one point of distinction i could hold onto. i was dreaming when i wrote this. what?


3. the moon out of focus

i was dreaming when i wrote this
- prince

the other night i kept walking out of the house to look at the moon. there was a lunar eclipse and i wanted to see it. the first time i went out it was cloudy and so the moon was hazy. eventually the cloud cleared but the moon still looked hazy. it was weird. it reminded me of the actor who was always out of focus, a character in woody allen's deconstructing harry. one web site summarised the plot of deconstructing harry like this:

"..revolves around the problems of a new york writer's creative and erotic life."

gee, i thought. now that narrows it down a lot. doesn't it? hacks down the allen canon a tad, wouldn't you say? excludes one or two films, hm? or maybe not? perhaps? maybe i have my sarcastic voice on, hmm? maybe it's actually a pretty fucking succinct precis of the old man's entire motherfucking corpus, hmm?

but i am being unfair! it excludes all the films by woody allen which aren't about woody allen! which by a shocking coincidence are probably also my favourite of his films, like sweet and lowdown, or purple rose of cairo.

by the way: these emails are best viewed in html, if you have the option. if you wonder why i keep fucking up my formatting with <str> and </em> and shit like that, it's cos you're looking at them in plain text.

and you know what i hate? not much, actually: i ain't a playa hater. still, i hate comedians who feel the need to link all their gags somehow: "and another thing about squirrels..", say. steven wright is the perfect example of a comedian who doesn't do this and is very funny. why do the others bother? maybe they are distracted by the possibility of a vast network of tunnels beneath the earth.


4. tunnels
what was i talking about? i can't remember but it's possible there is a vast network of tunnels beneath the earth. underground cities and everything.

i wrote the other day about a hole baterz and some other people dug. i got some of the details wrong and benjow wrote to correct me. his story contains these words:

the smoke got thicker and thicker. they started to freak out and called the firemen (or maybe they arrived on their own accord), but anyway they turned up with some police, to help look for the fire. and they were all wandering around our house in their gear going 'wow you guys are really BUMS'. at the time we were all vaguely moving out and most of the rooms were full of piles of rubbish...it must have been a bit like one of those tenants from hell ACA exposes. anyway, eventually they kicked down the door to baterz's old room (or maybe they just unlocked it, who knows) and discovered the source of the smoke--the hole, which was now billowing blissfully.

..among others. it's very funny: go and read it .

xxxx

a shaft going down into the earth's mantle

i wrote the other day about a hole baterz and some other people dug. i got some of the details wrong and benjow wrote to correct me:

in regards to the hole, i think it was actually IN the room we weren't supposed to go into. its planned destination was dml's [dml = david martin lewis.. ed] shack out the back.

it was begun by baterz and andy and some other people maybe me and dml but we got down about 5 feet and then vagued out because it was, after all, hard work. then one day the guy me and baterz were trying to write a computer game for came over and he was walking around going 'wow you guys are really BUMS' and when we told him about the hole he got extremely excited and went down to the shop to buy some proper digging implements, came back and went beserk in that hole. he was a strange man. very neat and he used to be in the army and thin and white and when he ate the wrong food (he was on some full on pritiken diet or something) he would get really hyperactive. he used to lend me and baterz his car and let us hangout at his weird flat on anzac highway while we played his computer games as 'research'. his girlfriend always shook her head wearily when she saw us coming along, or when we'd ring her up and say '___ (I can't remember his name--we just used to call him monkey boy) has gone a bit strange' and she'd say 'you haven't given him sultanas or alcohol have you?' then she'd drive over and pick him up. anyway, the point of introducing him is that it was he who i credit with getting the hole past the awkward uninspiring period that is the curse of all grand schemes. he got it deep enough so when you stood in the hole, it was over your head. after that, there was no goddam well stopping us. we were at it day and night because suddenly it was no longer a hole, it was a SHAFT. until the candles started going out in at the bend at the bottom. then we got scared and stopped.

years later when it was just me and dml and sharon and maybe marky mark living there, my sister came to visit from newcastle and she wanted to see this legendary hole so we went into baterz's room, or at least what used to be baterz's room--i think he was at Marion street by then, and showed her the hole. there was no light in the room with the hole in it, which kind of abutted baterz's room, and the light from his room didn't really show off the hole to its greatest glory, so i lit a piece of paper and threw it down so she could see how impressively deep it was. the paper went right down to the bottom, briefly illuminating some old bits of carpet and clothes baterz must have thrown down there before he left, and then went out. it looked very impressively far indeed. wow, said my sister and we left, locking baterz's door behind us and went to the pub.

meanwhile, dml and sharon came home and started making dinner and sitting around doing whatever they normally do when they noticed smoke near the ceiling. the went all around the house looking for whatever was on fire, then up into the roof where there seemed to be a lot of smoke but no fire. they stood around chewing their lips and frowning, but of course they didn't think of going into baterz's room because no one had been in their for months. The smoke got thicker and thicker. they started to freak out and called the firemen (or maybe they arrived on their own accord), but anyway they turned up with some police, to help look for the fire. and they were all wandering around our house in their gear going 'wow you guys are really BUMS'. at the time we were all vaguely moving out and most of the rooms were full of piles of rubbish...it must have been a bit like one of those tenants from hell ACA exposes. anyway, eventually they kicked down the door to baterz's old room (or maybe they just unlocked it, who knows) and discovered the source of the smoke--the hole, which was now billowing blissfully. the carpet and clothes and caught on fire from my shred of paper i thought had gone out. dave freaked out because he had had this kind of recurring nightmare about having to explain what the hole was for...how it got there, etc. to figures of authority (landlords, landagents, etc.) and suddenly here he was, standing around said hole with a bunch of policemen and firemen watching it inexplicably belch forth smoke with the police going 'why is there a hole here and why is it on fire?' pure nightmare. i almost didn't have the heart later that night to tell him it was all my fault. even when i did he didn't seem to fully appreciate the surreal moment of existential angst my actions had allowed him to endure. some people are
never happy.

one time i was living with dave wiffler at orsmond street and it was right near the time when we were about to be evicted again and we had no furniture because we were going through a hard-core opium eating minimalist eat only what we can steal from the servo kind of lifestyle and i came home from some ridiculous tour of melbourne with my death metal band to discover dave in the loungeroom. actually it didn't realy qualify as a loungeroom, because we had no lounges or chairs, more a heater room because that's what was all that was in there. and a big piece of parachute material that was slung up under the ceiling. anyway, when i left said heater room had been completely empty, but when i returned, a long weekend later, it wasn't. dave had been paid or something so he had plenty of pot and lots of junk food. his ritual was to sit in front of his bong and smoke it (making all the requisite little piles of screwed up tissue paper with lumps of foul smelling tar on the tips, burnt matchsticks, little carved bits of carrots (dave didn't believe in metal cones, so had to carve them out of carrots), etc), stare at the floor in front of him and eat junk food. when the clutter became too much, he simply shuffled back on his bum a few feet and started anew. by the time i got home, he had spiralled backwards around the room several times, leaving an unbelievable trail of rubbish behind him like a snail and had come to a rest right in front of the heater, at which point the parachute came down, creating a little tent around him and the heater, so he was trapped in there and couldn't do any of the backwards shuffling around the room, so all the rubbish just kind of piled up around him inside the tent. when i lifted the edge of the parachute to look in, it actually tumbled out, like it wanted to get out of there. i should have taken a photo. there is nothing quite like the meticulous mess a hard-core pot smoker makes. its not a random mess...it's very systematic and modular...one empty packet of tim tams, one screwed up packet of peter stuyvesent, several cigarettes emptied of tobacco with their ends screwed up and lined neatly on the floor, some screwed up cones of tissue paper balanced carefully, an orchy bottle with a little bit of juice in the bottom, an ashtray made out of the lid of the orchy juice bottle that has hence melted, an empty packet of tim tams--you get the drift...Richard Serra eat your heart out.

three theories of filth and the three filthy bastards who lived by them

no no no no no no NO NO NO!
- queen, bohemian rhapsody

prologue
I WAS SITTING on a train today reading a book about music. i read the word 'parliament' and then looked up and saw the word 'parliament' out the window because it just so happened the train was passing through parliament station. it was kind of a waste, because i don't really appreciate these kinds of coincidences as much as some. my friend gordon trenorden, for example, is a connoisseur of coincidences. he savours them like wines and will diligently assemble them into meanings. he has built up an impressive cellar over the years.

we used to live together there for a little bit. in the evening he would come home and tell me about the day's coincidences: things he'd heard on the radio at work in the morning and then t-shirts he'd seen people wearing in the afternoon and how it all fit together and what he suspected he had to do in consequence. what he mostly suspected was he that he was being toyed with. it kind of made sense. why else, after all, were all these coincidences lining up around him, flinging themselves at his feet?

i wasn't sure. the only thing that was clear to me was we had different amounts of meaning in our lives. i found GT's meaning-threshold a bit rich for my tastes but, y'know, it takes diff'rent strokes to rule the world.. or something..

actually this is all kind of irrelevant to today's story, except that gordon trenorden is one of the three characters in it. i'm your invisible narrator for today so i don't really count.


1. gordon trenorden
SO ANYWAY GORDON trenorden went to germany recently. he sent a story back. here's the start:

ON THE REMOVAL OF FOUL ODOURS
Today marks aroundabouts a week since I have arrived in Germany. I know this to be the case because despite having observed some timezone changes which have resulted in confusion as to which day it is, I brought approximately seven pairs of socks with me, one for each day of the week, and this morning I was faced with using my last pair of socks. It is about this time when one should consider washing one's clothes. I have developed a new thought on the problem of old-clothes-odour and it goes a little like this.

When we smell something, what is happening is that tiny molecules of odour are spreading from the object in question and dissipating through space and ending up in one's nostrils. As it emits, the number of emittable molecules decreases, and so there must come a point when it runs out of smell. So an alternative to clothes washing is to simply wait for one's clothes to run out
of odour.

nice.

what could we call this? a theory of filth, i guess. ah, it takes me back. i was blessed to spend my late teenage years hanging out with bohemians and every so often someone would develop a theory of filth that involved minimal effort on their part.

oooh mike can you tell us about a couple pleaaaaase? we sooo want to hear about the filthy friends of your bohemian adolescence and we ain't doing nothing that important right now, no sir nothing nohow, nothing that can't wait just a wee lil bit while you tell us a story or maybe in fact a couple stories i hear you say and me i say wow: it just so happens that i was fixing to do that very thing!

ZOMFG WE HAVE SOOOOOO MUCH IN COMMON! MAYBE WANNA GO OUT WITH ME? ON, LIKE, KIND OF A DATE? WHERE WE CAN TALK ABOUT HOW MUCH WE HAVE IN COMMON AND THEN MAYBE FIND SOME STARS TO KISS UNDER COS KISSING UNDER STARS IS SOOOOOO ROMANTIC? AND I CAN TELL BY THE WAY YOU'RE LOOKING AT ME JUST NOW THAT YOU THINK I'M BEING ALL TURN-OF-THE-CENTURY IRONIC AND ALL BUT REALLY I'M NOT REALLY I LOVE THE STARS?

ahem.. oops.. i got a lil swept away, then, in all the excitement.. wow.. let's move on:


2. matt the magic dog
I LIVED WITH matt the magic dog too, but he wasn't really a dog. he was a young man. we just called him matt the magic dog even though he wasn't a dog. i had a great bedroom in that house. it was the biggest bedroom i have ever seen, even now. we lived above a discount furniture place in the very centre of adelaide. the house was part of a larger building which had once been a home for wayward boys and kind of still was when i lived there. we were all pretty wayward in our way.

when i moved in i only brought a mattress and my drumkit and a bunch of ties and a few other clothes. for furniture we stole clothes racks from the driveway of a clothes shop across the road. i got my light from there too: i found a big spotlight there and dragged it over to my house and up the stairs. the room shone.

sadly, my parents turned up one day with the rest of my clutter and junk.

'we don't want this shit!' they said. neither did i but i'm not good at throwing things out so there it sat for a long time.

anyway: matt the magic dog: matt the magic dog had two tests he would apply in deciding which socks to wear next.

the first was the drop test. he would collect all his socks together and drop them one by one on the floor. the two socks which retained their shape the least upon impact were the two socks he'd put on.

the second was the flick test. he'd collect all his socks together and flick the sole of each with his fingernail. the two socks which made the least noise were the two he'd put on.

simple and kind of elegant, no?


3. baterz
OK I'VE TALKED about baterz a lil before. baterz was a genius. he was also haemophiliac. when he was about 15 he contracted HIV from a blood transfusion. he ended up living til he was in his thirties but when i met him he was eighteen and didn't expect to live more than another couple of years. back then no-one had, really.

i only mention it because it gave him, amongst other things, a cavalier approach to rental property. him and his mates lived in a big old house in west hindmarsh, the semi-industrial adelaide suburb where i grew up. one of the rooms was locked, and they weren't supposed to go in there.

naturally, like bluebeard's bride, they were curious, so they started digging a tunnel. the tunnel started in baterz's bedroom and went straight down into the earth's mantle a ways before turning in the direction of the forbidden room. it went on that way a few metres and then they all got too scared to keep digging. fair enough: a cave-in would be a bad way to die and an unnecessary one for a teenage bohemian which is what we all were, more or less. i kind of said that already, didn't i? the bohemian thing? oops.

next to the hole in his floor baterz had a pile of clothes. when he'd finished wearing something he'd put it atop the pile. when he wanted something fresh to put on, he'd take something from the bottom of the pile. his reasoning was that a pile of filthy clothes generates heat through a kind of composting process which would, given a little time, kill the germs and suchlike that were causing the smell. the clothes at the bottom were in the hottest part and had been undergoing the process for the longest so they were the cleanest by now and they were the ones he put on.

like i said: genius.

love to all
xxxx

16 names for shit

he cheated on his ass and shat through his mouth
- slovakian proverb

aw, you guys.. you respond sooo well to the stories about shit, don't you? it's very encouraging. well, it's encouraging me to tell more stories about shit. reader: gentle reader: you may live to regret this, once you realise just how many of these stories i have. this is the story where i shit through my mouth.


1. 16
I WAS 16. wait! flashback music! ok! i was 16. i had funny friends. we had a language we all spoke to each other. it was called lursdie. it was like all the languages of 16-year-olds in that it existed so we could talk about sex and drugs without our parents knowing.

lursdie started in canberra, i think. there must be a dictionary somewhere. i remember there was a dictionary at the time. it was three or four pages of single-spaced computer printout. i'll wager it was drafted on an apple II. we had words for hello and everything. hello was 'haliots!'

so we didn't say 'hello,' we said 'haliots!' instead. and we didn't say 'fucking', we said 'sasquatch'. and we didn't say we had heaps of something, or a lot of it, we said we had 8. or something times 8.


2. names
NOT ONLY THAT, but we each had a silly name. my best friend's name was salamanda. his best friend's name was baterzby beelzebub, but everyone called him baterz. he was a genius and now he is dead. i miss him.

me and salamanda wrote a novel together for fun when we were 16. i showed it to my mum when we finished it. she said it was 'highly derivative'. i told salamanda this and he got cross. she was right, though. it was so much like the hitchhiker's guide to the galaxy: we had aliens and drug dealers and we had mick jagger in it too. whenever one of us got stuck we'd swap and the other one would write for a bit. if we got really stuck we'd make up a new subplot. this happened often.

i forgot about this for years, that we wrote a novel just for the hell of it. during those years novel-writing took on hallowed and ominous proportions. i capitalised the first letters in my mind.

Novel Writing seemed like a massive undertaking and only for the worthy, kind of like a grail quest. you know, you hafta have something to say, and all that.. and to have read a lot so you know you're not doing what's already been done and prepare to devote a few lonely years to it blah blah advice blah blah.

or, as i remembered with a start a few years ago, you could just knock something out with a friend because telling stories is fun and you can do whatever the fuck you want because it's yours. aliens? sure! time travel? be my guest! necrophilia? i thought you'd never ask!

but i digress.


3. for
SO ANYWAY, ME and my friends, we had a word 'tocculmans'. if you were a tocculmans you were good at physical activity and didn't mind if people saw you doing it. it wasn't a compliment.

but mike! i hear you say. what has this, any of it, got to do with shit? i hear you say.
shhh, i say. be still thy beating mouth, i say. i'm setting a scene here. if - and only if - that's quite fucking alright with you. hmm?

the scene goes like this:

EXT. DAY - THE POOL

ok, it's the year 11 swimming carnival. i'm sitting in the stands with my friends and our silly names. none of us are going to swim. we're going to sit in the stands and get drunk. here's how: we've bought some 2-litre containers of orange juice. hey! i'm writing in present tense! is this some kind of a joke? jokes are told in present tense, after all!

where was i? orange juice.. orange juice.. ok, so we have these 2-litre containers of orange juice. before the event we've each poured out half of the orange juice from our containers and replaced it with vodka. the rest writes itself, i guess. i got drunk. we all did, us with our silly names.

reader: i drank my vodka-and-orange. i didn't understand vodka then. i'd probably never had it before. what i decided sometime around that time is that vodka is dangerous because if you keep drinking it steadily until you feel drunk, you've still got quite a bit waiting to enter your bloodstream. and if, like me, you drank until you felt a little unwell, there was probably a world of pain waiting just about 25 minutes away.

anyway, that's what i did. i drank. eventually i started to feel unwell. i stopped. things started spinning. after a time i decided to go home. i lived near there. i got home. i lay on the bed. everything kept moving clockwise. i hung on to the bed. it didn't help.

eventually i realised i needed to vomit. i lurched up and made my way to the toilet, and threw up violently.

'whew,' i thought to myself. 'glad that's over with.'

then i threw up violently again, and then again. and again. each time i vomited the vomit was less liquid and seemed to have come from further down in my digestive tract. you can see where this is leading, i think.


4. shit
FINALLY THERE WAS nothing else in my digestive tract. and yet the awful truth was i still needed to vomit. something started making its way up. i didn't feel very good at all. i opened my mouth and what came out.. i don't know if this is actually physiologically possible, but what came out seemed very, very much like shit.

'oh god,' i said. i hung my face over the toilet and opened my mouth wide, trying to make a straight line between the water and the end of my oesophagus. i was trying to keep my tongue out of the way so i didn't have to taste the shit. my success was limited.

and on that note:

love to all

xxx