The sky

The sky, netted inefficiently by clouds, clouds set to catch the sun's largesse but leaking it all over the place, the sky striped white here and there with leaking light, radiant like a dying CRT, blotched white and grey like diseased snow: the sky.

i was later i look! pepper-trees!

o my heart which i have from my mother!
o my heart which i have from my being!
do not rise against me as a witness!
do not turn against me in the tribunal!
do not tip the scales against me in front of the keeper of the scales!
- the book of going forth by day

1. i was
I WAS TIRED this morning. maybe i'm not getting enough vitamin b. maybe the puppy is getting it all. i think the puppy is getting enough vitamin b because when i walked into the kitchen this morning he was looking at me and i looked at him and then i saw behind him a small pool of puppy piss, cartoon-sun yellow. it was a hallucinatory yellow in fact and the world's intelligence was moving it downhill. it was becoming a slow stream because our floors are not flat.

i cleaned up the piss. i do this a lot at the moment. i'm also home a lot just now working on music and so is the puppy. home, i mean. the puppy is not working on any music. stop trying to confuse me with your suggestions and, frankly, innuendos. thanks.

when i walk he spins like a satellite around the planet of whichever leg just hit the ground. he twines around my legs like bolas . i hafta be alert lest i fall.


2. later i
LATER I WAS on the train. a woman and a little boy came and sat across from me. the boy's hair was the colour of burning butter. by this i mean that some of it was a pale yellow and some of it was darker.

the boy was excited to sit by the window and gaze out at the world: the world always new and surprising. i'd guess he was four. to be that young is to know you don't have the measure of the world: you want to keep looking at it out the window because it's full of surprises: look! a truck! look! a helicopter! look! a horse!

we didn't actually see a helicopter or a horse. i am just giving an example.

none of the rest of us have the measure of the world either but we forget, maybe, and instead of looking out the window we think about other things but the world is always new. it's always being put together just in time for us to look at it. the woman wasn't looking out the window. she was yawning and rubbing her eyes.

some people can get fucked. no, wait.. that came out wrong.. i meant to say some people think it's funny the way kids have more energy than the adults who look after them.

'isn't it amazing,' they say, 'how much energy kids have! and look how boring their parents are!'

but see, the parents would have more energy if someone else was cooking them food and paying their rent and cleaning up after them and so on. kids are like rock stars. other people attend to their needs and they get to throw tantrums and jump on the furniture and look out the window at the world always new: look! the sun pale behind clouds! the sun paler than my butter hair!

i don't mean to imply that the little boy across from me was some kind of prima donna. i was just making a more general point. he seemed in fact like a total sweetie and he was happy to snuggle up to the woman when he got tired so i guess they knew each other from before the train.

there were things lying around on the banks by the train tracks. everything had an air of magical decay.


3. look! pepper-trees!
WE PASSED BY pepper-trees. look! pepper-trees! something pale and generous was flowering the pines, too.

xxxx

rules for trees and grass, my people, the moon out of focus, the possibility of a vast network of tunnels beneath the earth.

hello
- lionel richie

why hello, lionel. how's the kids?

this is a funny little story. i'm not sure about it but i get the feeling it's time to let it go and find its fortune, out there in the kingdoms and prince-bishoprics and so on. it can cross streams and talk to magical beasts like for example unicorns and cicatrices and griffins and the enigmatic sphinx, the sphinx who knows all but speaketh in riddles &c &c. i'm not sure about it cos i sewed it up from the corpses of other things. dr frankenstein did this and look where it got him: running for his life across the icy tundras and floes of the arctic circle and if nothing else enters into the matter we should at least consider that the arctic circle isn't quite what it used to be back then.

nonetheless: i hafta let it go cos it's distracting me from the story i really want to write (which is about invisibility and has a spell in it and everything). hopefully it'll be ok out there in the world, the world all bright and radiant, radiant with the light from various motherfucking celestial bodies, bodies all burning far from the earth we wander and people will be nice to it. one thing in its favour is it's made of fragments, just like everything else in the world.

you: f-fragments?
me: yes! fragments!

(pause)

you: w-what about trees?
me: yeah! trees too! which reminds me:


1. rules for trees and grass
i've been looking at trees recently, at the way they extend through space and feed on what passes through that space. it's neat: they apply the same rules over and over, trees do: go this far (where 'this far' is a proportion of the distance between where you are now and your total height, like say 2/5ths of it or maybe 3/7ths) and then split into this many pieces (give or take 2) at around about this angle and then keep doing it again until you turn into leaves.

what ends up happening is that trees control a field, roughly barbell-shaped, around a central vertical axis. they leave a gap in the middle for the horizon to pass through.

grass, on the other hand, is all about occupying a plane. if grass has a rule it's 'go about this far and tie yourself in a little knot through the horizon. repeat until you run out of planar space.'

what ends up happening here is that grass has no trunk to cut: it's got no central point to attack: howabout that.

you: ok, but w-what about people?
me: wait, i thought we were talking about trees?
you: we were! but now i want to know about people!
me: well... howabout this:


2. my people

it is the right of every traveller to vent their frustration at every minor inconvenience by writing of it to their friends. expect long descriptions of everything.
- jonathan strange, in jonathan strange & mr norrell, susanna clarke.

i went to the writers' festival the other day. i got there just in time. i was going to hear a talk about the creative commons. it was in a theatre. i walked in and sat down.

something felt funny and then i realised what it was and it was this: i had, gentle reader, the distinct sensation that i'd suddenly come home, somehow, that i'd found my people. i was.. uncomfortable. i wasn't sure i wanted to be having that sensation at exactly that time, surrounded by exactly those people. everyone was, well, bookish.. a little uncool perhaps. and surely, surely waaay less cool than me. surely. i was a little disturbed so i took a water bottle out of my bag to have a drink and then noticed everyone around me already had their water bottles out. my people carry their own water, apparently. i drank anyway. i wasn't going to be put off. i sat there for a bit. the speakers weren't there yet so i took a book out of my bag so as to pass the time and then realised of course everyone around me already had their books out. damn. however, women were wearing shawls and sensible jeans. i wasn't wearing a shawl. that was one point of distinction i could hold onto. i was dreaming when i wrote this. what?


3. the moon out of focus

i was dreaming when i wrote this
- prince

the other night i kept walking out of the house to look at the moon. there was a lunar eclipse and i wanted to see it. the first time i went out it was cloudy and so the moon was hazy. eventually the cloud cleared but the moon still looked hazy. it was weird. it reminded me of the actor who was always out of focus, a character in woody allen's deconstructing harry. one web site summarised the plot of deconstructing harry like this:

"..revolves around the problems of a new york writer's creative and erotic life."

gee, i thought. now that narrows it down a lot. doesn't it? hacks down the allen canon a tad, wouldn't you say? excludes one or two films, hm? or maybe not? perhaps? maybe i have my sarcastic voice on, hmm? maybe it's actually a pretty fucking succinct precis of the old man's entire motherfucking corpus, hmm?

but i am being unfair! it excludes all the films by woody allen which aren't about woody allen! which by a shocking coincidence are probably also my favourite of his films, like sweet and lowdown, or purple rose of cairo.

by the way: these emails are best viewed in html, if you have the option. if you wonder why i keep fucking up my formatting with <str> and </em> and shit like that, it's cos you're looking at them in plain text.

and you know what i hate? not much, actually: i ain't a playa hater. still, i hate comedians who feel the need to link all their gags somehow: "and another thing about squirrels..", say. steven wright is the perfect example of a comedian who doesn't do this and is very funny. why do the others bother? maybe they are distracted by the possibility of a vast network of tunnels beneath the earth.


4. tunnels
what was i talking about? i can't remember but it's possible there is a vast network of tunnels beneath the earth. underground cities and everything.

i wrote the other day about a hole baterz and some other people dug. i got some of the details wrong and benjow wrote to correct me. his story contains these words:

the smoke got thicker and thicker. they started to freak out and called the firemen (or maybe they arrived on their own accord), but anyway they turned up with some police, to help look for the fire. and they were all wandering around our house in their gear going 'wow you guys are really BUMS'. at the time we were all vaguely moving out and most of the rooms were full of piles of rubbish...it must have been a bit like one of those tenants from hell ACA exposes. anyway, eventually they kicked down the door to baterz's old room (or maybe they just unlocked it, who knows) and discovered the source of the smoke--the hole, which was now billowing blissfully.

..among others. it's very funny: go and read it .

xxxx

there seemed to be only one of me and

i got up. it was cold. i was vibrating with the cold.

i walked to the post office. it was still cold. the sky was clear. it was blue, because there were no clouds overhead. the only clouds in the sky were contrails from my jet mouth.

in the post office a man with a hook for a hand served a man with only one arm. i know the one-armed man. his name is joe. he runs the organic shop down the road. he has a sign on the wall:

DON'T BLAME JOE
HE SAYS WHAT HE DOES
BECAUSE HE LOVES YOU

'you don't want to lick the stamps,' joe was saying. 'they're full of toxins'. joe's eyes shine with the radiant loving light of someone who either (a) eats a lot of organic food or (b) is crazy.

outside the shadows were clean. they had clear, calm edges because there were no clouds between me and the sun. i walked on some of them. i walked on the shadows of some poles and some wires. the grass stood up straight.

i saw a tree. it had no leaves but it still had a lot of seed-pods dangling from the branches. i felt kind of embarrassed. it looked like the tree had let itself go some(naked)how and i felt bad for it. still: i couldn't look away.

i had contracted to a single point because it was cold. it was interesting. it made my identity easier to manage. there seemed to be only one of me and my body seemed to occupy a well-defined area, quite small.


xxxx

bespin

oh the snot has caked against my pants; it has turned into crystal.
- love

this morning out the window the bare-branched trees were jewelled with dew.

i stood outside. everything looked real. there were things on the ends of some of the branches in the persimmon tree in the front yard. i felt like they were looking at me. i looked back at them. we passed the time that way a little, the things and me.

next to the persimmon tree a pink clotheshanger hung from a trellis.

when i was younger i tried to write stories. i wanted to make them skeletal: stripped of everything unnecessary and then once they were skeletons i wanted to decorate them. i wanted to put new unnecessary things where the old unnecessary things had been.

the clotheshanger reminded me of this. it was just a pink bit of wire hanging from a trellis, dangling a dozen diamond dewdrops. the dewdrops were unnecessary and very beautiful.

later, driving across town i saw the city in the distance: it rose roseate and faintly golden from the clouds like bespin.

love to all
xxxx

riding shotgun with jesus

i am large.  i contain multitudes.
- walt whitman

and did i say i was a time bomb?
- public enemy
 

1. byron bay
I USED TO live in lismore in northern new south wales.  towns in that part of the world are odd.  why?  i'm glad you asked. 

towns there are odd because there's an odd emulsion of cultures there, holding one another in suspension but never quite mixing.  why?  i'm glad you asked!

because:

about thirty-five years ago there was a big hippy festival in nimbin called the aquarius festival.  before the festival, nimbin was dairy and banana country.  anyway: a bunch of the hippies stayed.  some of them pooled money and bought up land, big chunks of it sometimes, along the creeked valleys around there which are, frankly, fucking gorgeous: all densely twisted hills like the hills in my imagination of scotland.  and everything grows on everything cos it's subtropical.  odd.

but why is that odd?  i'm.. well, i'm still glad you asked.  gladdish, anyways.  but don't push your fucking luck, mmkay?

 

well, i was born in adelaide, in the south bit of mainland australia.  south australia is mostly desert but for a tiny strip of fertile land along the coast,  that's where everyone in south australia lives, pretty much.  even though it's wetter than the desert there it's still a bit of work getting things to grow, so it makes my brain go all funny when i'm somewhere where you hafta try and stop things growing on top of each other.  i don't just mean trees, either, cos there are fungi that want to grow on your armpits and they're trying to get into your pants, too.

 

anyway, there i was up in northern new south wales.  kids up there change their names for fun, like kids down here change their hair.  they have names like 'fraggle' or 'sprinkle' or 'orryelle' or 'crow' or 'red john'.  well, red john's not that odd a name i guess.  he wrote a funny song about the whole phenomenon.  it was to the tune of 'walk on the wild side'  it was all like: 

 'hey sunlight, didn't you used to be called.. sharon?
 hey bluetongue, didn't you used to be called.. darren?'

heh.

anyway: i'm distracted.

start again:

1. byron bay
ONE TIME I was in byron bay hitchhiking back to lismore where i lived.  byron bay has nice beaches but it's expensive.  lismore's cheaper but it's weird.  it floods there, because they built it on a floodplain and cut down all the trees.

this van pulled up.  it was like a mini-bus.  there were about five guys in there.  they had beards.

i hopped in.  i was in the back.  there was a man on either side of me.  one put his arm around my shoulder.

 'uh oh,' i thought.

 'so, what you guys been up to?' i said.  i was making a connection.  i figured maybe if i made a connection they wouldn't sodomise me and then cut me up and leave me in a shallow grave somewhere.

 'oh, we've just been in byron bay trying to convert people to christianity,' they said.

 'hahaha!' i said.

 'hahaha!' they said back.  actually, they didn't.  actually, i was the only one saying 'hahaha!'  actually, they were looking at me kindly and with a lil concern.  i believe they were noticing the god-shaped hole in the centre of my chest.  they got to work.

 'now,' said the one with his arm around my shoulders, 'life's pretty hard, wouldn't you say?"

 'aw, i don't know about that,' i said.  'i think it depends.'

they weren't expecting this response.  they shifted in their seats.

reader: we went back and forth for a little bit there.  finally i said. 'hey!  this is my turn-off!'  i wasn't being all playmate of the month (turn-offs: beards, conversion to christianity) but was instead pointing out that our paths were lo! about to diverge.  they were going one way and i was about to go another.  the fork, in short, had been reached.

our time together ended with them calling out the door, 'anyway, two thousand years ago a man called jesus christ talked about why life is so hard!  read the bible!'

'kthxbye!' i called back as they drove off bearded but disappointed into the rest of creation.  i had three things: a little bag, a stick, and a bedroll.  i stood by the turn-off and waited.


2. fifteen feet high
THIS OTHER TIME, years before that actually, i was hitchhiking with my sister.  sheesh we were young!  i would have been 19 probably.

this car pulled up.  the driver opened the door.  he had a beard.  seemed friendly enough so we jumped in.  it was a ute, and there was a bunch of stuff in the back.

 'where you headed?' i said.

 'oh, i'm going in to adelaide to give a talk about carnivorous plants,' he said.  i looked at him for a little while.

 'i grow carnivorous plants, see,' he said.  'that's what's in the back.  actually, i've just realised i left some stuff at my place.  do you mind if we detour?'

 'not at all,' i said.  'it is, after all, your car.'

so off we went, driving toward the home he shared with, gentle reader, an awful lot of carnivorous plants.  he didn't live too far from there, maybe a quarter of an hour away.  one thing about hitchhiking is you hafta be patient.  that was part of the appeal for me in those days, actually.  i liked it that i had no real control over how long it would take me to get somewhere, and that i was utterly dependent on the kindness of others to do so.  it stops you being arrogant and trash-talking about humanity like it's so easy to do.
 

you know: you think twice about saying what a stupid pack of cunts the australian people are when they've ferried you across the country.  that's what i liked about it.  plus it was just so obvious that getting all het up wouldn't speed the process any.  if anything, it slows you down.

has it been fifteen minutes yet?  i guess not but this is story time, not lived time.  as long as i've made some time pass it can stand in for the longer time that actually passed in the journey i'm describing, the time it takes to drive a little ute over cloud-shadows and through cuts made in hills, hills where things fight each other for the chance to grow.  it's a kind of metaphor for real time, a bit like they use in cooking shows.

we pulled up at his place.  i got out to straighten my legs.  on the roof was painted 'JESUS SAVES': in capitals just like that and in letters fifteen feet high.

there were shadows on the letters from the same clouds that shadowed the road.  i guess these letters were a road leading somewhere.