rules for trees and grass, my people, the moon out of focus, the possibility of a vast network of tunnels beneath the earth.

hello
- lionel richie

why hello, lionel. how's the kids?

this is a funny little story. i'm not sure about it but i get the feeling it's time to let it go and find its fortune, out there in the kingdoms and prince-bishoprics and so on. it can cross streams and talk to magical beasts like for example unicorns and cicatrices and griffins and the enigmatic sphinx, the sphinx who knows all but speaketh in riddles &c &c. i'm not sure about it cos i sewed it up from the corpses of other things. dr frankenstein did this and look where it got him: running for his life across the icy tundras and floes of the arctic circle and if nothing else enters into the matter we should at least consider that the arctic circle isn't quite what it used to be back then.

nonetheless: i hafta let it go cos it's distracting me from the story i really want to write (which is about invisibility and has a spell in it and everything). hopefully it'll be ok out there in the world, the world all bright and radiant, radiant with the light from various motherfucking celestial bodies, bodies all burning far from the earth we wander and people will be nice to it. one thing in its favour is it's made of fragments, just like everything else in the world.

you: f-fragments?
me: yes! fragments!

(pause)

you: w-what about trees?
me: yeah! trees too! which reminds me:


1. rules for trees and grass
i've been looking at trees recently, at the way they extend through space and feed on what passes through that space. it's neat: they apply the same rules over and over, trees do: go this far (where 'this far' is a proportion of the distance between where you are now and your total height, like say 2/5ths of it or maybe 3/7ths) and then split into this many pieces (give or take 2) at around about this angle and then keep doing it again until you turn into leaves.

what ends up happening is that trees control a field, roughly barbell-shaped, around a central vertical axis. they leave a gap in the middle for the horizon to pass through.

grass, on the other hand, is all about occupying a plane. if grass has a rule it's 'go about this far and tie yourself in a little knot through the horizon. repeat until you run out of planar space.'

what ends up happening here is that grass has no trunk to cut: it's got no central point to attack: howabout that.

you: ok, but w-what about people?
me: wait, i thought we were talking about trees?
you: we were! but now i want to know about people!
me: well... howabout this:


2. my people

it is the right of every traveller to vent their frustration at every minor inconvenience by writing of it to their friends. expect long descriptions of everything.
- jonathan strange, in jonathan strange & mr norrell, susanna clarke.

i went to the writers' festival the other day. i got there just in time. i was going to hear a talk about the creative commons. it was in a theatre. i walked in and sat down.

something felt funny and then i realised what it was and it was this: i had, gentle reader, the distinct sensation that i'd suddenly come home, somehow, that i'd found my people. i was.. uncomfortable. i wasn't sure i wanted to be having that sensation at exactly that time, surrounded by exactly those people. everyone was, well, bookish.. a little uncool perhaps. and surely, surely waaay less cool than me. surely. i was a little disturbed so i took a water bottle out of my bag to have a drink and then noticed everyone around me already had their water bottles out. my people carry their own water, apparently. i drank anyway. i wasn't going to be put off. i sat there for a bit. the speakers weren't there yet so i took a book out of my bag so as to pass the time and then realised of course everyone around me already had their books out. damn. however, women were wearing shawls and sensible jeans. i wasn't wearing a shawl. that was one point of distinction i could hold onto. i was dreaming when i wrote this. what?


3. the moon out of focus

i was dreaming when i wrote this
- prince

the other night i kept walking out of the house to look at the moon. there was a lunar eclipse and i wanted to see it. the first time i went out it was cloudy and so the moon was hazy. eventually the cloud cleared but the moon still looked hazy. it was weird. it reminded me of the actor who was always out of focus, a character in woody allen's deconstructing harry. one web site summarised the plot of deconstructing harry like this:

"..revolves around the problems of a new york writer's creative and erotic life."

gee, i thought. now that narrows it down a lot. doesn't it? hacks down the allen canon a tad, wouldn't you say? excludes one or two films, hm? or maybe not? perhaps? maybe i have my sarcastic voice on, hmm? maybe it's actually a pretty fucking succinct precis of the old man's entire motherfucking corpus, hmm?

but i am being unfair! it excludes all the films by woody allen which aren't about woody allen! which by a shocking coincidence are probably also my favourite of his films, like sweet and lowdown, or purple rose of cairo.

by the way: these emails are best viewed in html, if you have the option. if you wonder why i keep fucking up my formatting with <str> and </em> and shit like that, it's cos you're looking at them in plain text.

and you know what i hate? not much, actually: i ain't a playa hater. still, i hate comedians who feel the need to link all their gags somehow: "and another thing about squirrels..", say. steven wright is the perfect example of a comedian who doesn't do this and is very funny. why do the others bother? maybe they are distracted by the possibility of a vast network of tunnels beneath the earth.


4. tunnels
what was i talking about? i can't remember but it's possible there is a vast network of tunnels beneath the earth. underground cities and everything.

i wrote the other day about a hole baterz and some other people dug. i got some of the details wrong and benjow wrote to correct me. his story contains these words:

the smoke got thicker and thicker. they started to freak out and called the firemen (or maybe they arrived on their own accord), but anyway they turned up with some police, to help look for the fire. and they were all wandering around our house in their gear going 'wow you guys are really BUMS'. at the time we were all vaguely moving out and most of the rooms were full of piles of rubbish...it must have been a bit like one of those tenants from hell ACA exposes. anyway, eventually they kicked down the door to baterz's old room (or maybe they just unlocked it, who knows) and discovered the source of the smoke--the hole, which was now billowing blissfully.

..among others. it's very funny: go and read it .

xxxx

a shaft going down into the earth's mantle

i wrote the other day about a hole baterz and some other people dug. i got some of the details wrong and benjow wrote to correct me:

in regards to the hole, i think it was actually IN the room we weren't supposed to go into. its planned destination was dml's [dml = david martin lewis.. ed] shack out the back.

it was begun by baterz and andy and some other people maybe me and dml but we got down about 5 feet and then vagued out because it was, after all, hard work. then one day the guy me and baterz were trying to write a computer game for came over and he was walking around going 'wow you guys are really BUMS' and when we told him about the hole he got extremely excited and went down to the shop to buy some proper digging implements, came back and went beserk in that hole. he was a strange man. very neat and he used to be in the army and thin and white and when he ate the wrong food (he was on some full on pritiken diet or something) he would get really hyperactive. he used to lend me and baterz his car and let us hangout at his weird flat on anzac highway while we played his computer games as 'research'. his girlfriend always shook her head wearily when she saw us coming along, or when we'd ring her up and say '___ (I can't remember his name--we just used to call him monkey boy) has gone a bit strange' and she'd say 'you haven't given him sultanas or alcohol have you?' then she'd drive over and pick him up. anyway, the point of introducing him is that it was he who i credit with getting the hole past the awkward uninspiring period that is the curse of all grand schemes. he got it deep enough so when you stood in the hole, it was over your head. after that, there was no goddam well stopping us. we were at it day and night because suddenly it was no longer a hole, it was a SHAFT. until the candles started going out in at the bend at the bottom. then we got scared and stopped.

years later when it was just me and dml and sharon and maybe marky mark living there, my sister came to visit from newcastle and she wanted to see this legendary hole so we went into baterz's room, or at least what used to be baterz's room--i think he was at Marion street by then, and showed her the hole. there was no light in the room with the hole in it, which kind of abutted baterz's room, and the light from his room didn't really show off the hole to its greatest glory, so i lit a piece of paper and threw it down so she could see how impressively deep it was. the paper went right down to the bottom, briefly illuminating some old bits of carpet and clothes baterz must have thrown down there before he left, and then went out. it looked very impressively far indeed. wow, said my sister and we left, locking baterz's door behind us and went to the pub.

meanwhile, dml and sharon came home and started making dinner and sitting around doing whatever they normally do when they noticed smoke near the ceiling. the went all around the house looking for whatever was on fire, then up into the roof where there seemed to be a lot of smoke but no fire. they stood around chewing their lips and frowning, but of course they didn't think of going into baterz's room because no one had been in their for months. The smoke got thicker and thicker. they started to freak out and called the firemen (or maybe they arrived on their own accord), but anyway they turned up with some police, to help look for the fire. and they were all wandering around our house in their gear going 'wow you guys are really BUMS'. at the time we were all vaguely moving out and most of the rooms were full of piles of rubbish...it must have been a bit like one of those tenants from hell ACA exposes. anyway, eventually they kicked down the door to baterz's old room (or maybe they just unlocked it, who knows) and discovered the source of the smoke--the hole, which was now billowing blissfully. the carpet and clothes and caught on fire from my shred of paper i thought had gone out. dave freaked out because he had had this kind of recurring nightmare about having to explain what the hole was for...how it got there, etc. to figures of authority (landlords, landagents, etc.) and suddenly here he was, standing around said hole with a bunch of policemen and firemen watching it inexplicably belch forth smoke with the police going 'why is there a hole here and why is it on fire?' pure nightmare. i almost didn't have the heart later that night to tell him it was all my fault. even when i did he didn't seem to fully appreciate the surreal moment of existential angst my actions had allowed him to endure. some people are
never happy.

one time i was living with dave wiffler at orsmond street and it was right near the time when we were about to be evicted again and we had no furniture because we were going through a hard-core opium eating minimalist eat only what we can steal from the servo kind of lifestyle and i came home from some ridiculous tour of melbourne with my death metal band to discover dave in the loungeroom. actually it didn't realy qualify as a loungeroom, because we had no lounges or chairs, more a heater room because that's what was all that was in there. and a big piece of parachute material that was slung up under the ceiling. anyway, when i left said heater room had been completely empty, but when i returned, a long weekend later, it wasn't. dave had been paid or something so he had plenty of pot and lots of junk food. his ritual was to sit in front of his bong and smoke it (making all the requisite little piles of screwed up tissue paper with lumps of foul smelling tar on the tips, burnt matchsticks, little carved bits of carrots (dave didn't believe in metal cones, so had to carve them out of carrots), etc), stare at the floor in front of him and eat junk food. when the clutter became too much, he simply shuffled back on his bum a few feet and started anew. by the time i got home, he had spiralled backwards around the room several times, leaving an unbelievable trail of rubbish behind him like a snail and had come to a rest right in front of the heater, at which point the parachute came down, creating a little tent around him and the heater, so he was trapped in there and couldn't do any of the backwards shuffling around the room, so all the rubbish just kind of piled up around him inside the tent. when i lifted the edge of the parachute to look in, it actually tumbled out, like it wanted to get out of there. i should have taken a photo. there is nothing quite like the meticulous mess a hard-core pot smoker makes. its not a random mess...it's very systematic and modular...one empty packet of tim tams, one screwed up packet of peter stuyvesent, several cigarettes emptied of tobacco with their ends screwed up and lined neatly on the floor, some screwed up cones of tissue paper balanced carefully, an orchy bottle with a little bit of juice in the bottom, an ashtray made out of the lid of the orchy juice bottle that has hence melted, an empty packet of tim tams--you get the drift...Richard Serra eat your heart out.